- soho photo gallery
- IMMIGRANTS
- Artists Involved: Jon Lowenstein, F. Emmanuel Bastien, Pierre-Yves Linot, Leslie Licari, Diana Uceda, Ellen Jacob, Peter Turnley, Sarah Corbin, Cathy Wilson Ramin, Marc Hors, Paul Stetzer
- Describe: When I arrived at the doors, I was expecting a wall of photographs.
- Instead, it was a quiet maze of deep corners with an accompanying upstairs area.
- The floors creaked as we walked around, pausing to notice all the photographs and
- descriptions. The upstairs section was narrow and a bit claustrophobic feeling but
- I believe that physical sense of being trapped heightened the emotion of the pieces
- which, at their core, were about being trapped by a country that does not want you.
- The photographs were most inkjet, though some were printed upon pieces of fabric
- central to that artists' home country. Most of the photographers seem to focus on
- social justice and equality in their other work. The ones featured were already
- deep in their career. This was not a first show for any of the artists.
- The photographs as a group: The photographs were all centered on the immigrant experience.
- From life before moving, to after, they all depicted the way immigrants are treated in America.
- It all felt very neat and complete. Especially in the social climate we live in now, every one of
- the photographs felt important and relevant.
- For each artist/photographer:
- Evaluate
- How does this work compare to the work of other photographers/artists?
- These photographs stray from what I normally gravitate towards. Instead of pastel
- pink cellphones and teenage girls sprawled out across lawns, the work presented
- wasn't dreamy or pretty. It was beautiful. It felt momentous and purposeful. It was
- biting and made me flinch. Compared to other photographers, the show was not
- afraid of being un-instagrammable. It had something to say rather than show.
- Did it evoke any feeling or response from you as a viewer? The show made me realize that
- art is not about looking nice but about making somebody feel something they weren't already
- feeling. It helped me with my other assignment, focusing less on aesthetics and more
- on narrative and drive.
- Choose a particular image from the show that stood out to you
- dressed in traditional clothing, drenched and soaked in water. I thought it was incredibly interesting because it can be
- analyzed in so many ways. When you're wet in clothing, everybody can see through your clothing. You're visible. When you're
- wet, you're also very vulnerable. You're heavy, as well. I think it was a very effective way to showcase the weight slurs have.
- I think this fit in with the other photographs and even was one of the best of the ones shown. It was complex and interesting
- to look at.
- Summary
- Your overall impressions of the show as a whole
- As a child to immigrant parents, I thought the work presented was exceptionally striking. I was moved by the images and
- the images stayed with me for days afterwards. I thought that in this social climate, this show was neccesary as it was
- telling of where we are as a nation. I believe the artists were, collectiveley, saying "listen! we are humans who need to be treated
- as such! you cannot ignore us anymore!" The show was an emotional, solid, strong stand against people who do not believe
- in immigrants. The way the show was orchestrated was perfect. From the photographs chosen to the physical landscape of
- the gallery, it felt right.

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