Sunday, October 6, 2019

Assignment 5

  • soho photo gallery
  • IMMIGRANTS
  • Artists Involved: Jon Lowenstein, F. Emmanuel Bastien, Pierre-Yves Linot, Leslie Licari, Diana Uceda, Ellen Jacob, Peter Turnley, Sarah Corbin, Cathy Wilson Ramin, Marc Hors, Paul Stetzer


    • Describe: When I arrived at the doors, I was expecting a wall of photographs.
    • Instead, it was a quiet maze of deep corners with an accompanying upstairs area.
    • The floors creaked as we walked around, pausing to notice all the photographs and
    • descriptions. The upstairs section was narrow and a bit claustrophobic feeling but
    • I believe that physical sense of being trapped heightened the emotion of the pieces
    • which, at their core, were about being trapped by a country that does not want you.
    • The photographs were most inkjet, though some were printed upon pieces of fabric
    • central to that artists' home country. Most of the photographers seem to focus on
    • social justice and equality in their other work. The ones featured were already
    • deep in their career. This was not a first show for any of the artists.
    • The photographs as a group: The photographs were all centered on the immigrant experience.
    • From life before moving, to after, they all depicted the way immigrants are treated in America.
    • It all felt very neat and complete. Especially in the social climate we live in now, every one of
    • the photographs felt important and relevant.
    • For each artist/photographer:
      • Evaluate
        • How does this work compare to the work of other photographers/artists?
        • These photographs stray from what I normally gravitate towards. Instead of pastel
        • pink cellphones and teenage girls sprawled out across lawns, the work presented
        • wasn't dreamy or pretty. It was beautiful. It felt momentous and purposeful. It was
        • biting and made me flinch. Compared to other photographers, the show was not
        • afraid of being un-instagrammable. It had something to say rather than show.
        • Did it evoke any feeling or response from you as a viewer? The show made me realize that
        • art is not about looking nice but about making somebody feel something they weren't already
        • feeling. It helped me with my other assignment, focusing less on aesthetics and more
        • on narrative and drive.
    • Choose a particular image from the show that stood out to you

    • This photograph was from a series called Mujados focused around the slur, wetbacks. It featured a series of Mexican people,
    • dressed in traditional clothing, drenched and soaked in water. I thought it was incredibly interesting because it can be
    • analyzed in so many ways. When you're wet in clothing, everybody can see through your clothing. You're visible. When you're
    • wet, you're also very vulnerable. You're heavy, as well. I think it was a very effective way to showcase the weight slurs have.
    • I think this fit in with the other photographs and even was one of the best of the ones shown. It was complex and interesting
    • to look at.
    • Summary
      • Your overall impressions of the show as a whole
      • As a child to immigrant parents, I thought the work presented was exceptionally striking. I was moved by the images and
      • the images stayed with me for days afterwards. I thought that in this social climate, this show was neccesary as it was
      • telling of where we are as a nation. I believe the artists were, collectiveley, saying "listen! we are humans who need to be treated
      • as such! you cannot ignore us anymore!" The show was an emotional, solid, strong stand against people who do not believe
      • in immigrants. The way the show was orchestrated was perfect. From the photographs chosen to the physical landscape of
      • the gallery, it felt right.

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